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Bear In Heaven

Bear In Heaven: Beast Rest Forth Mouth [Album Review]

The transformation undergone by Bear In Heaven between their outstanding Home-Tapes debut, Red Bloom Of The Boom, and their sophomore release Beast Rest Forth Mouth, is, quite literally, breathtaking. Red Bloom debuted Bear In Heaven’s experimental rock with a sound that was, for the most part, entirely their own. Sure, there were traces of influence that in my opinion sided pretty heavily toward artists like Animal Collective, but it was also fairly unparalleled in its style of experimentation.

Read More »Bear In Heaven: Beast Rest Forth Mouth [Album Review]
Bear In Heaven

Bear In Heaven: Wholehearted Mess [Track Review]

Harmony and melody aren’t exactly two terms one would associate with Bear In Heaven, at least from the standpoint of their debut LP, Red Bloom Of The Boom. But they work quite well here, for the first single off their upcoming sophomore release Beast Rest Forth Mouth, “Wholehearted Mess”. This new sound represents virtually a complete change for Bear In Heaven.

Read More »Bear In Heaven: Wholehearted Mess [Track Review]

Slaraffenland: Meet And Greet [Track Review]

Slaraffenland

“Meet And Greet”, off Slaraffenland‘s upcoming debut LP We’re On Your Side, follows precisely the direction in which they embarked on last year’s EP Sunshine with tracks like “I’m A Machine” and “The Trick”. Slaraffenland continues to shovel out intricately orchestrated experimental pop melodies. “Meet And Greet” proves this band’s signature is quickly becoming hand claps and stomps featured at unique intervals and horn heavy instrumentation, fronted by ornate multi-part vocals that converge and spread into complex harmonies instantaneously. Read More »Slaraffenland: Meet And Greet [Track Review]

Bear In Heaven

Bear In Heaven: Red Bloom Of The Boom [Album Review]

You rarely hear the words avant-garde associated with pop music. Yet the eclectic and sometimes ear-wrenching sub-genre can be found in all corners of music, but perhaps most notably in jazz through classic artists like Ornette Coleman. In some ways avant-garde is simply a pretentious way of saying experimental. But the definition of the term is merely a push of the boundaries away from the norm. That, then, brings up the question what is the norm?

Read More »Bear In Heaven: Red Bloom Of The Boom [Album Review]

Megafaun: Gather, Form & Fly [Album Review]

Megafaun

Megafaun (MySpace) was originally birthed from the remnants of DeYarmond Edison and released Bury The Square in 2007. Gather, Form & Fly is the follow-up to that widely-hailed album, and it warrants all the hype one can give. The band consists of Joe Westerlund and brothers Phil and Brad Cook. The main Edison absentee is Justin Vernon, who now goes by Bon Iver. Despite Iver’s greatness, there’s a lot to be said about these three — the music they create, in my opinion, is just as great as For Emma and Blood Bank. Read More »Megafaun: Gather, Form & Fly [Album Review]

Slaraffenland [Feature Band]

Slaraffenland

Written by Fense

In the realm of indie-pop there are few that stray beyond the comfort of the sub-genre’s homogenous nature. Virtually every artist that expands on the traditional elements of indie-pop does so by pulling from other genres like folk and psychedelic rock and prog. Slaraffenland is no exception. Read More »Slaraffenland [Feature Band]

Stars Like Fleas [Feature Band]

Stars Like Fleas

Written by Fense

It’s the end of the year and I’m rapidly trying to catch up on and wrap up all loose ends. My promo rack is still out of control, as is my inbox. And my 2009 resolution will be the same as 2008: keep up with the inbox and promo rack. Hopefully I’ll be able to stick with it this time around. As I hastily try to pare these two things down, I keep stumbling across new items that slipped by unnoticed, like Stars Like Fleas (MySpace). The album, of course, is The Ken Burns Effect. Read More »Stars Like Fleas [Feature Band]

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