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Charles Leo Gebhardt IV: Begin Again [Album Review]

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It’s been a while since we’ve heard from Seattle’s Charles Leo Gebhardt IV. Well, that’s not entirely true, as last year we got a debut full length from Unnatural Helpers. But his solo project under his own name has been quiet since the release of Unfaithful, the delightfully raw and fun EP from 2008. Begin Again is the new release and it maintains much of what we heard from that previous EP, albeit with a tiny bit more production. Read More »Charles Leo Gebhardt IV: Begin Again [Album Review]

White Nights [Feature]

white-nights

Earlier today (which, if you’re reading this on the day it was published, was actually yesterday), I cranked up Neutral Milk Hotel’s In The Aeroplane Over The Sea for the first time in at least a year. Coincidentally, while looking for a band to cover in a feature for tomorrow (i.e. today), I came across White Nights. The band has an obvious Elephant 6 reference in the music the music they create; undoubtedly pop, the band has a clear guitar backed by a fuzzy lo-fi drum kit beat and fronted by fuzzy lo-fi vocals. A definite nod to Jeff Mangum. Read More »White Nights [Feature]

Charles Leo Gebhardt IV: Unfaithful [Album Review]

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In defining folk rock, one rarely sees an association made with rockabilly. But it’s a pertinent inclusion in the music Charles Leo Gebhardt IV makes. On his recent GGNZLA Records EP, Unfaithful, it’s the jangle in his guitar – that almost country sound that definitely fits the rock genre (as opposed to jangle pop). “Look Out, Look In” and “Better At Love” have that old-time 50s rock feel, which fits the rockabilly persona, but it’s not nearly as rockin’ as some of those artists tend to be, hence the folk. Read More »Charles Leo Gebhardt IV: Unfaithful [Album Review]

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