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Andy Fenstermaker

Andy Fenstermaker is a music lover, writer, marketing professional, and entrepreneur who has dedicated his life to sharing his passion for music with others. He is the founder of FensePost, a renowned music blog that has been sharing the latest and greatest in indie music since 2006. Andy has always been fascinated by the power of music to connect people, and he started FensePost with the aim of sharing his love of music with others. Andy developed a passion for music at a young age. Born and raised in the Pacific Northwest, Andy grew up surrounded by a vibrant music scene that left an indelible mark on him. He attended Washington State University, where he studied Communication and Business. He holds a BA in Communication and a Masters in Business Administration.  After graduating, Andy started writing about music and created FensePost as the outlet. The blog has a strong focus on indie music, but also covers a range of other genres including folk, indie pop, psychedelic, garage rock, and experimental.  Andy and the blog relocated to the Dallas/Fort Worth Metroplex in 2020.

Happy New Year: Hotel [Video]

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This video, “Hotel” by Happy New Year, gives the listener/viewer a first-hand experience of what I would assume it feels like to be drunk and tripping at the same time. Nothing is clear; the world is a dizzying, strange place filled with odd, strange people. Colors, too, are at one moment vivid and the next a blur. Things overlap. Happy New Year’s song is a dance-worthy nightmare, filled with pleasant beats and eerie sounds. The vocals of Eleanor Logan, too, are highly uncanny. In fact, this all fits the video: it shows a girl getting high on wild fruit and her ensuing peyote-esque trip. Read More »Happy New Year: Hotel [Video]

Callers: How To Hold Your Arms [Video]

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Callers met in New Orleans before ultimately relocating to Brooklyn. This isn’t necessarily important in their creation of music, merely a statement of historical fact. Well, that’s not entirely true. When I think of New Orleans, I think of a place somehow lost post Katrina and struggling to renew their culture. But it’s different; things are different. So culture has changed. Of course, this is all in my head as I have not been to New Orleans. But in a way, I hear that side of New Orleans (at least the version that resides in my head) in Callers. The band’s sound is difficult to describe, highly unique, and a bit odd. It’s like that music in Twin Peaks — a bit other-worldly and a smidgen awkward. Likewise, their video for the song follows suit. And that’s what makes it damn good. Read More »Callers: How To Hold Your Arms [Video]

Hey Marseilles Live in Bellingham

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There are a few reasons I rarely go to shows, and to be honest it’s a shame. First and foremost is the time of day. I’m usually in bed by 10:30PM, which isn’t conducive to witnessing live music. Second is the awkward moments prior to showtime — inevitably, I am that guy standing in the corner against the wall pretending to be absorbed in texting or Facebooking or Tweeting because, despite arriving 45 minutes after doors, the first band is still nowhere near starting. And I tend not to know anyone either. But really, this is all the precursor to the amazing. Yes, Hey Marseilles blew my socks off. Read More »Hey Marseilles Live in Bellingham

Bikini: American Mourning [mp3]

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There’s something sexy about “American Mourning” by Bikini. You almost feel a little strange for liking it so much. It may be the continuous and occasional monotony of the song’s electronic beats. Or it could be the playful vocal pattern in the verse. Whatever it is, it’s intoxicating. It’s like a car crash — you want to look away, but you can’t. It’s fascinating. Read More »Bikini: American Mourning [mp3]

House Of Bread: Don’t Be Shy [mp3]

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Superhuman Tomb by House Of Bread will consume you if you let it. And you will be tempted to let it. The album blends two distinct styles of pop, one a haze-filled noise and the other packed with dreamy synths. “Don’t Be Shy” finds a comfortable middle ground, incorporating both by beginning with pleasantly swooning synths before closing out with a masterful noisy guitar. Read More »House Of Bread: Don’t Be Shy [mp3]

Surf City: Kudos [Album Review]

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At first, I found Surf City to give off those lo-fi garage vibes, with loud, swirling guitars and dreamy barely decipherable vocals. This led me to jot down a quick description; Surf City creates harmonically blissful, fuzzed-out lo-fi pop. As Kudos continues, I began hearing traces of psych-pop which ultimately morphed into a continual, hazy drone. There’s a lot more behind Surf City than a mere garage rock/pop band, that’s for sure. Read More »Surf City: Kudos [Album Review]

Young Hunting [Feature]

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Dream-pop is often best when it has a sleepy bedroom sound to it, casual and relaxed, and that’s precisely how Young Hunting like it. The A-side (“Into Your Mind”) off their new 7″ single, distributed by K Records, hints of The Beach Boys-like harmonies backed by soft, dreamy, borderline psychedelic pop. Their old-time pop sound has also been likened Harry Nilsson, which is more apparent in “Sonata”, the single’s b-side. A more modern reference could be the romantic silhouette vocals of Sweden’s Moto Boy. However you see it, Young Hunting crafts mysterious pop music fit for pleasant slumbers. Read More »Young Hunting [Feature]

Pandit: Artichoke [mp3]

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Contrary to the word’s Indian and Hindu heritage, the band Pandit is from an entirely different land. Pandit is Lance Smith from Texas and his latest work is a drum-heavy psychedelic dream pop album called Eternity Spin. This album, in my opinion, has one of the better album covers we’ve seen in a while. Eternity Spin follows a self-released EP from early this year, a release that generated a few waves for Pandit and ultimately landed Smith a spot on Waaga Records, on which you can find Eternity Spin. Read More »Pandit: Artichoke [mp3]

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