Andy Fenstermaker is a music lover, writer, marketing professional, and entrepreneur who has dedicated his life to sharing his passion for music with others. He is the founder of FensePost, a renowned music blog that has been sharing the latest and greatest in indie music since 2006. Andy has always been fascinated by the power of music to connect people, and he started FensePost with the aim of sharing his love of music with others. Andy developed a passion for music at a young age. Born and raised in the Pacific Northwest, Andy grew up surrounded by a vibrant music scene that left an indelible mark on him. He attended Washington State University, where he studied Communication and Business. He holds a BA in Communication and a Masters in Business Administration. After graduating, Andy started writing about music and created FensePost as the outlet. The blog has a strong focus on indie music, but also covers a range of other genres including folk, indie pop, psychedelic, garage rock, and experimental. Andy and the blog relocated to the Dallas/Fort Worth Metroplex in 2020.
Hunx And His Punx clashes the 50s style girl group doo-wop pop with punk rock in the first song off their recent LP, Too Young To Be In Love. “Lovers Lane” is definitely influenced by classic teenage tragedy songs like Jan And Dean’s “Dead Man’s Curve” and Wayne Cochran’s “Last Kiss” and even The Shangri-Las “Leader Of The Pack”. Read More »Hunx And His Punks: Lovers Lane [mp3]
German Error Message is a lo-fi experimental folk band fronted by Paul Kintzing. Though the band has been around since 2004, it wasn’t until more recently that they’ve started releasing music. And with their self-titled EP in 2008, the flood gates opened. The subsequent debut LP, To Carry Alongside, was released in early 2010, followed by a January 2011 release of and EP called SPPLIT and a February 2011 release of After The Warmth.
Read More »German Error Message [Feature] 
In the photo above you can see Phil Elverum (Mount Eerie, Microphones, D+), Calvin Johnson (The Cave Dwellers, The Halo Benders, K Records), and Karl Blau (Karl Blau, D+). So yes, it is that time of year again. The sun is out (for once) in Western Washington and all the unique individuals in Anacortes come out of their hiding places (and their friends come up from Olympia) for the annual What The Heck Fest! I went last year (hence the above photo) and things went down like this: watched some bands in a park, ate a sandwich in town, watched more bands, slept some, took a walk to Whistle Lake with some friends, watched more bands, drank some beers.
Read More »What The Heck Fest! 2011 Edition!
Conversion Party boasts a sound that draws influence from classic indie rock, with squealing post rock guitars backed by clever riffs and fronted by emotive vocals and cunning lyrics. Favors is the band’s new EP, out this past week on Open Kimono. “False Teeth” opens the 4-song EP with those emotive vocals, then we get dosed with multiple vocalists in the anthemic “In The Mountains”. Though these songs are a bit different in style, both are massively good.
Read More »Conversion Party: Favors [Album Review] 
Olympia band Lake returns this year with a new album called Giving And Receiving. If you like what you heard from their past few releases, including the phenomenal Let’s Build A Roof from 2009, you’ll dig this one. It has a pleasant mix of upbeat pop songs and chill mellow ones. “Within/Without” finds somewhat of a middle ground, with a slightly funky beat and their nice signature male/female harmony vocals. Read More »Lake: Within/Without [Video]
One part a spoken whisper, another a harmonically sung tune, Howe Gelb‘s vocals are near mystical in their folk simplicity. These are vocals that, despite their light playful nature, can send chills down your arms. And, being a master of his trade, Gelb backs his voice with expert performers and well-crafted lyrics. “4 Door Maverick” could be a country song for all it’s talk of the 70’s Ford, but it ends up a flamenco-influenced folk song courtesy a troupe of gypsies. Read More »Howe Gelb: 4 Door Maverick [mp3]
“Shredder” lives up to its name, but I honestly wouldn’t expect anything less from Jeff the Brotherhood. The band exudes the shred mentality with wild infectious guitar riffs epic in their near simple, slushy nature backed by heavily beat drums. And they take it to the next level with the inclusion of keyboards. “Shredder” matches the personality of everything off 2009’s Heavy Days, an album that came in at #10 on my year end list.
Read More »Jeff The Brotherhood: Shredder [mp3] 
36.1 minutes. That is the length of the new Fredrik album, Flora. Not bad, especially since the band has put together a video that spans that amount of time and covers the album in its entirety. Brilliant, I say! Flora continues what Fredrik has created on their past two releases – eerie experimental pop music that is other-worldly. Read More »Fredrik: Flora [Video]
I really fell in love with the weirdness behind Chad VanGaalen‘s last album, Soft Airplane. Many songs had strange electronic… Read More »Chad VanGaalen: Sara [mp3]
Benoît Pioulard is the project of Thomas Meluch, whose latest release, Lasted, mixes a dark, dreamy side of pop with one more experimental. “Shouting Distance” sides on the former, with more playful vocal and instrumental melodies. This is where Meluch shines, and it shows in the video for the song. “Shouting Distance” may just be footage of young kids skateboarding, but the film that’s used and the lighting give it a very cool retro feel. You can’t place it in time, but nor can you do the same with Benoît Pioulard. Meluch is mysterious like that; it’s a trait that makes his music really quite good. Read More »Benoît Pioulard: Shouting Distance [Video]
